Sam White

is a graphic designer, web developer, artist and, sometimes, writer.

Current info:

He lives in London, where he works with YES as a designer & developer, for clients in culture and commerce.
He’s interested in typeface design, ​Newcastle United Football Club, ​letter carving, ​ambient music, ​critical theory, ​the future of work, ​infrastructure, ​Scrabble, ​eBay, ​John Berger (writer), ​minimal intervention, ​Alan Shearer (footballer), ​Lynette Yiadom-Boakye (painter), ​maintenance art, ​vernacular lettering, ​metro systems, ​rubbish theory, ​co-operativism, ​neon (element), ​Dorothy Ashby (musician), ​Gwen John (artist), ​contemporary art, ​Beverly Glenn-Copeland (musician), ​self-built furniture, ​use of vacant property, ​concentrated solar installations, ​big pharma (industry), ​autonomism, ​laminate (material), ​squatters' rights, ​nightclubs (architecture of), ​Kate MacIntosh (architect), ​Giorgio Morandi (painter), ​shipping containers, ​internet radio, ​behavioural therapy, ​suspended ceilings, ​Nolberto Solano (footballer), ​Annie Ernaux (writer), ​nuclear power, ​the New York Times Crossword, ​Enzo Mari (architect), ​kitchen sink (adjective), ​online ethics, ​dust fires, ​sportswashing, ​Jesse Darling (artist), ​Times New Roman, ​logistics, ​carpet tile, ​spreadsheets, ​Artex (material), ​Imi Knoebel (artist), ​data centres, ​Night Slugs (music label), ​Roger Hiorns (artist), ​dust fires, ​rabbits, ​Charlotte Posenenske (artist), ​the London Underground, ​localism, ​super yachts, ​Google Street View, ​British Rail, ​Marcelo Bielsa (coach), ​amapiano (music genre), ​painting, ​accelerated aging, ​new media conservation, ​Tove Ditlevsen (author), ​discarded objects, ​mosaics, ​machine vision, ​murals, ​Belgium (country), ​Countdown (TV show), ​Dieter Rams (designer), ​Eduardo Paolozzi (artist), ​Gwen John (artist), ​buildings on fire, ​Sophie Taueber-Arp (artist), ​community radio, ​blurring of art and life, ​slogans, ​Doris Lessing (writer), ​vehicles, ​south-east London, ​power stations, ​Gheorghe Zamfir (musician), ​Johan Cruyff (footballer), ​slate (material), ​documents, ​asemic writing, ​politicians photographed in cars, ​neo-Luddism, ​Lina Bo Bardi (architect), ​Helene Schjerfbeck (artist), ​clouds, ​library science, ​Eve Babitz (writer), ​Renata Adler (writer), ​twin-wall polycarbonate (material), ​razor wire (material), ​marble (material), ​Giovanni Bellini (artist), ​Georgie Wolton (architect), ​liquorice, ​Barbara Hepworth (artist), ​the miners' strike, ​the 2008 financial crash, ​stationery, ​magnetic tape (material), ​thermal paper (material), ​Olivetti S.p.A. (company), ​Xerox PARC (company), ​Harold Pinter (playwright), ​moorland, ​refrigeration, ​mass production, ​supply chains, ​military burn pits, ​Woody Guthrie (musician), ​arte povera, ​cucina povera, ​Jane Grigson (chef), ​mythogenesis, ​drone collisions, ​aircraft black boxes, ​spam email, ​online ads, ​Joe Colombo (designer), ​wind farms, ​sponsored content, ​ringtones, ​decals, ​pears (fruit), ​point-of-sale systems, ​Walter Sickert (painter), ​laser pointers, ​palliative care, ​the Cyclades (region), ​the VW Golf mk2 (car), ​freeports, ​call centres, ​e-ink (technology), ​lost property, ​barcodes, ​names, ​timetables, ​indexes, ​snooker (sport), ​endive (vegetable), ​needle showers, ​aluminium (material), ​fax (technology), [...]